• Posted on March 02, 2013

My Brother’s Book

A sad riddle is best for me…

I will confess the first time I read My Brother’s Book, I was confused. Also the second, third, and fourth time. I am still confused, but enthralled. As with all Sendak creations, the mystery beckons. The writing is obtuse, referencing Sendak’s own life, Shakespeare’s The Winter’s Tale, and other works of literature (even Chicken Soup with Rice, Sendak’s 1962 publication.) The art is beautiful, in a watery, unformed way, like a dream, or a painting from William Blake’s Songs of Innocence and Experience. Melancholia permeates his last completed book, and yet, there is a kind (and kind of) resolution to the story. My Brother’s Book is a paean to love, loss, and literature. It is a conundrum. It is a treasure.

On a bleak midwinter’s night, a comet rends the earth in two, catapulting Jack to the continent of ice, and Guy to Bohemia, to the lair of a great white bear. Jack and Guy are brothers, perhaps the homeless brothers from We Are All in the Dumps With Jack and Guy, Sendak’s 1993 picture book. Most certainly, they are Maurice and his older brother Jack, and very likely Maurice and his partner of 50 years, Eugene Glynn. Whatever the true nature of Jack and Guy, they are wretched without one another, and Guy in particular longs to be reunited with the brother he ‘loves more than his own self.’  Trouble is, Jack is encased in ice, ‘his poor nose froze’, and Guy is facing down a bear.

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  • Posted on September 15, 2010

The Unbearable Invisibility of Being

In the opening scene of the film The Princess Bride, a young boy interrupts his grandfather’s storytelling and says, “Is this a kissing book?” Easy to envision a similar scenario unfolding with Harvey, only substitute the word ‘sad’ for ‘kissing’:

Is this a sad book?”

Yes, it is. But the melancholic subject matter doesn’t make it a bad thing. It is, in fact, a human thing. And in the hands of Hervé Bouchard and Janice Nadeau, it’s a deeply moving, occasionally funny, and visually inventive masterpiece. Flat out, Harvey is the most beautiful book I’ve read this year. Maybe longer, I’ll have to check my blog.

Borrowing from the graphic novel tradition, Harvey is nevertheless in a class all its own. Like Shaun Tan’s The Arrival, it is a very particular world that Harvey occupies, but less fantastical. This is a recognizable town (albeit 40 years ago judging by the beehive hairstyles), and a recognizable situation. Harvey is a young French Canadian lad who loses his father one early spring day, and attempts to make sense of the grief swirling around him, using the tools available to an imaginative boy. He is obsessed with the movie The Incredible Shrinking Man, a film which permeates his entire world, overtaking it at one point when invisibility seems the only reasonable response to an altered life.

Harvey is a journal of that day in early spring…

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