• Posted on August 11, 2011

Picks & Tweets from the Illustrated Word

Oh, the dog days of summer, which for me translates into a whiny sort of sluggishness precluding any activity more strenous than hoisting fruity beverages to my mouth and bending over to turn the fan onto maximum velocity. My heat-induced indolence is compounded by the fact that I am moving at the end of the month, so my posts have become sparse as I attempt to pack away decades worth of bibliophyllic overconsumption. Sure, they look pretty on the shelves, but they are a bitch to pack, and you might as well take out shares in Boxes-R-Us for all the stacks of neatly-packed product lining my hallways. Nevertheless, I do seem to find the time to check in with my favourite Twitter-folk and fellow bloggerists, and here are a few gems from the last couple of weeks~      

The Story of Charlotte’s Web by Michael Sims – review via @guardian. This sounds like a very interesting book, about an interesting man, and some pig. Can’t wait to read it! And speaking of Wilbur, I might have mentioned in a previous post one of my favourite passages about this beloved porker. It’s early in the book and Wilbur is explaining to Templeton his typical day, but it seems to me that Wilbur is practicing a kind of philosophy of life that sounds less porcine and more Zen. The procurement of food (middlings, warm water, apple parings, meat gravy, etc.,) and naps plays a significant role in Wilbur’s daily routine, but so does stillness, and allocating time to watch “flies on the boards, watch bees in the clover, and watch swallows in the air…and to think about “what it was like to be alive…” I aspire to live my life according to the Tao of Wilbur, minus the ‘middlings’, whatever they are.

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  • Posted on August 01, 2011

Chicken Love

A perfect picture book is a rare thing. So much of what gets published is forgettable; poorly illustrated, drearily unoriginal productions that pander  to popular tastes, however fleeting. Not to despair. There are children’s picture book illustrators, writers and publishers hell-bent on bringing excellence to the table with original stories, inventive language, gut-busting humour, and as I’ve said many times before, the most beautiful art to be found anywhere, in any venue. The current purveyer of picture book perfection is French illustrator Béatrice Rodriguez and her crew of animal adventurists, including a determined hen and the fox who sweeps her off her claws, a loyal but easily fatigued bear, his rabbit companion, and one mightily ticked-off rooster. Characters such as these cannot be contained to one book, and I am happy to report that Rodriguez has extended their adventures to two more rollicking tales, and the result is a trilogy of wordless picture books amongst the best to be published this, or any year. The Chicken Thief arrived first in 2010, followed by Fox and Hen Together in spring 2011 and finally, Rooster’s Revenge, to be hatched this September. I haven’t been this excited about a trilogy of books since Philip Pullman put armour on polar bears.

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  • Posted on July 22, 2011

Picks & Tweets from the Illustrated Word

Not Rupert Murdoch

You’d think there was nothing else going on in the world but the News of the World. I suppose I should be paying closer attention to the grim display of moral impoverishment playing out in the media at the moment, but all I can think of when I see Rupert Murdoch is that he looks like a Spitting Image character. Of course…I had to google it, and wouldn’t you know…he IS a Spitting Image character…amongst other things. Happily, the bits and pieces pasted together for this post were obtained via legitimate and highly respectable sources. No hacking, no bribes or backdoor dealmaking, just the usual I should be working but I’m reading blogs and following links on Twitter, as I am inclined to do on a rainy afternoon…

And speaking of tweets~

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  • Posted on July 17, 2011

Along a Long Road

Occasionally, children’s picture book art takes a left turn from traditional paint and pencil illustration into the somewhat sterile world of computer-generated imagery. Perhaps this is a moot point…it’s either good, or it’s not. Graphic imagery within a design context can be quite pleasing, but in general, I’m not a fan of digitalized art for picture books. Nevertheless, I suspect I am viewing it more often than I think I am. In fact, a few of my favourite artists use computers to augment their ‘old style’ illustrations, including Emily Gravett and Poly Bernatene, and I have to assume there are others. For what it’s worth, knowing that at some point an artist’s hands got messy is important to me. It’s like eating those perfectly peeled, tube-shaped baby carrots from the grocery store; they are so far removed from the dirt they are grown in, it’s hard to appreciate them as carrots.

But then…along comes Along a Long Road, a beautifully illustrated, completely charming picture book executed entirely on Adobe Illustrator. I can’t say whether or not Frank Viva’s hands got dirty making this book, but he was most certainly engaged in very detailed, creative work. And the medium, in this particular case, is perfect for the story. A digitalized palette is still a palette, even if nothing gets squeezed out of a tube.

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  • Posted on July 09, 2011

Becoming Seuss

It’s sheer coincidence that two back to back posts are picture book biographies of the early lives of famous people. Last week, it was Jane Goodall. This week, it’s Dr Seuss, aka Theodor Geisel. It’s fascinating to look back at a childhood and pluck out the experiences that in hindsight are the set pieces for an extraordinary life. This could be said of any life, famous or otherwise, but with someone like Dr Seuss, whose stories and illustrations are so idiosyncratic, so recognizably Seuss, it’s downright thrilling.

In The Boy On Fairfield Street: How Ted Geisel Grew Up to Become Dr. Seuss, Kathleen Krull does a masterful job of distilling the formative experiences of the great man’s early life. Interestingly, the pictures accompanying the story are not by Seuss but by Steve Johnson and Lou Fancher, the husband and wife super duo responsible for some of the most beautiful picture books of all time (in my opinion), including Peach & Blue, a 32 Pages favourite. It’s a coalition of amazing talent, and even if you don’t know a Who from a Sneetch, The Boy on Fairfield Street is a witty and moving account of growing up odd in a factory-issue world.

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  • Posted on July 01, 2011

Picks & Tweets from the Illustrated Word

HRH William Shatner, famous Canadian

Happy CANADA Day! As befits such a celebratory occasion, the Duke and Duchess of something or other are visiting our lovely country for the first time, or at least the first official time. Welcome HRH William and HRH Kate. Next time, come to Edmonton, eh?

And now, in true Canadian fashion, a little self-deprecation:

Hilarious and local. The Daily Show does some business in Canada, specifically Alberta. Thank you Oil Sands for your comic possibilities.

L O V E this! Darryl Cunningham Investigates-Evolution. It’s in comic book style so maybe the Creationists will finally get it. Maybe. Nah…

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  • Posted on June 26, 2011

Planet of the Chimps

This post is part four in my continuing love letter to Patrick McDonnell: artist, writer, and from what I have observed thus far, the kindest man on earth. In addition to fathering comic strip characters Mooch and Earl, Patrick is the author and illustrator of several picture books, three of which have been profiled in this blog. No surprise that his latest non-Mutts outing, Me…Jane, is about Jane Goodall, a fellow champion of the environment, especially where animals are concerned. It seems inevitable that McDonnell would find a kindred soul in Jane Goodall, just as Jane found hers in the shorter and hairier inhabitants of the Gombe Stream in Tanzania.

Me…Jane is a story of the awakening passion of Jane Goodall, before she was the renowned chimpologist and animal advocate. The beautifully illustrated biographical picture book introduces us to Jane as a young, inquisitive girl with an adventurous heart and a stuffed chimp named Jubilee. We see her climbing trees, reading Tarzan of the Apes, and taking note of all the living things around her. Other than a brief postscript at the back of the book, Me…Jane concentrates solely on her childhood years, and includes some of Jane’s own drawings from the Alligator Society, a nature club she founded at the age of 12.

Throughout the book, there are faint prints of ornamental engravings from the 19th and 20th centuries, ‘collectively evoking Jane’s lifelong passion for detailed, scientific observations of nature.’ The biographical elements of Jane’s young life are conveyed in a few well-chosen words, leaving the rest of the narrative to the colourful strokes and daubs of McDonnell’s paintbrush. As with all of his books, the watercolour illustrations are the very essence of sweet simplicity and gentle humour. Even the paper has an aged patina, as if these were pages from an old scrapbook. In every way, Me…Jane is a celebration of a extraordinary girl and woman, but it is also a paean to the natural world, to quiet observation, and to being outdoors, an increasingly endangered activity. This is beautifully captured in a double spread of Jane and Jubilee, lying in the grass amongst the chicks and the butterflies:

“It was a magical world full of joy and wonder, and Jane felt very much a part of it.

Me...Jane chimp and Jane 2

Kinda makes me want to find some grass. And a monkey.

Jane Goodall was born in London, England in 1934. Dreaming of a life in Africa, and finally arriving in 1957, she met with famed anthropologist Louis Leakey shortly thereafter and began working with chimpanzees in the Gombe Stream Game Reserve.

As I lay laying

Goodall’s work became the foundation of primatological research and helped to redefine the relationship between humans, chimpanzees, and every creature in between. Some primatologists have called into question Goodall’s methodology, specifically her practice of naming the chimps rather than numbering them. It was thought, and perhaps still is thought that the number system allows for greater objectivity and prevents emotional attachment. I get it. Sort of. Much harder to fall for chimp #62 than a ‘David Greybeard’ or a ‘Humphrey’, two of the names chosen by Goodall. Anthromorphism holds little truck in the monkey business, which is why I’m not welcome at their parties. Nevetheless, Ms Goodall’s chimpanzee research abides, and her organizations, www.rootsandshoots.org and www.janegoodall.org continue to raise awareness of the plight of chimpanzees and environmental conservation. Jubilee, Jane’s stuffed monkey, still sits on her dresser in London.

Jane Goodall and chimp

Patrick McDonnell was born in 1956. Throughout his life he has been both an advocate of comic book art and artists, as well as an animal lover and protector. McDonnell has written and illustrated a pawful of picture books, including collections from his cartoon strip Mutts, the newest of which is Earl and Mooch (Andrews McMeel, 2010.) He sits on the board of the American Humane Society, and lives with his wife, dog and cat in New Jersey.

The creatures of this earth have no greater or more tireless friends than Ms Goodall and Mr McDonnell. I continue to be inspired…

Me…Jane by Patrick McDonnell, published by Little, Brown and Company, 2011

(Please note, my scanner doesn’t read watercolours very well, hence the loss of vibrancy. Buy the book.)

Other appreciations of Mr McDonnell:

South (Little, Brown 2008)

Hug Time (Little, Brown 2007)

Guardians of Being (New World Library, 2009)

Also HIGHLY recommended, Mutts: The Comic Art of Patrick McDonnell (Abrams, 2003)

  • Posted on June 16, 2011

Border Crossings

There has been a lot of discussion in the news of late regarding the pervasiveness of dystopian young adult literature, and whether or not it’s appropriate to expose kids to the darker aspects of life, real or imagined. I think we are kidding ourselves if we believe that children and young adults exist in bubbles, and are not in some way already exposed to the full spectrum of humanity.*

When I was a young girl, maybe 13 or 14, I abandoned what was ‘appropriate’ for my age and fell headfirst into the novels of Stephen King, Kurt Vonnegut and even Margaret Laurence because what I was reading did not reflect the unpredictability and to a degree, the harshness of my life at that time. Nevertheless, most of us in Canada and elsewhere in the developed world lead a comparatively pampered life. Some more pampered than others, but the bulk of us grow up with a roof over our heads, food in our bellies, and if we’re lucky, a sense of permanency, all of which is taken for granted because it is the rule, not the exception. Migrant is the story of a girl who lives the exception, but in the most poetic way, brings a beauty to the unpredictable life around her and to the world she imagines for herself and her family.

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  • Posted on June 09, 2011

Picks & Tweets from the Illustrated Word

New blog, old news. Or oldish news, that is, and the blog isn’t new, it just looks like it’s been on holiday and come back refreshed and ready to upload a bunch of new and exciting reviews…that I have yet to write. Sorry blog….I promise I’ll work harder now that you look so pretty. In the meantime, here are a few recent treats from my truly hardworking blogosphere colleagues~  

Chris Van Allsburg in the news again. This week Chris talks about his new book Queen of the Falls (thanks Achockablog), and from Anita Silvey at the fab Children’s Book a Day Almanac Blog, the story behind Jumanji.

From the I’m glad someone said it files, NYT’s Pamela Paul on that Go the F*** To Sleep book causing all the controversy…and probably more than a few tired nods of sympathy. Please oh please oh please let someone hire me to write the f***ing sequel.

The Daily Heller always has great design/illustration-related stuff. Here’s a wistful look back at Mad Magazine: “Look Ma, No Teeth.” A madvertisement for Crust Gum Paste.” Blecch! I hope there are more MAD posts like this in the future.

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  • Posted on June 06, 2011

Colouring Outside the Lines

This blog is devoted to exquisite picture books. Story books, with pictures. However, not all illustrated children’s books are narrative in nature. Sometimes they tell us about the boreal forest, or the gifts animals bestow upon us. And others, like My Beastly Book of Silly Things, defy categorization. It is a colouring book, yes, but it is also a quirky collection of drawings, puzzles, and activities, beautifully illustrated, with deliciously subversive instructions to colour outside the lines. Not directly, of course, but slyly…through a series of exercises designed to push the boundaries of creativity…and perhaps taste, but only if you’re an adult. My inner eight year old boy found this book hilarious, especially the page with instructions to ‘draw farts for everyone’, but even though this sort of humour skews toward boys, many girls will find the book funny too, especially those preferring MAD magazine to Bieber Beat. The appeal, however, is broader than children of the crayon age, and to be honest the book made me laugh, and made other so-called adults around me laugh, with nary a crayon or a lego in sight. My Beastly Book of Silly Things is the colouring book you wish you’d had as a kid.

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