• Posted on December 20, 2015

Marguerite’s Christmas

 

Marguerite’s Christmas isn’t for everyone.

The story of a fragile, elderly woman alone on Christmas Eve will leave some wondering if this is appropriate subject matter for children. Others will wonder if its appropriate subject matter for adults, given its juvenile format.

But it is a book for me, and anyone who sees storytelling as non-exclusionary. All stories have a place in children’s literature, as long as they are told well, told sensitively and honestly, and in the case of picture books, told with illustrative depth.

Marguerite’s Christmas is an extraordinary book. Written by Québecois author India Desjardins and illustrated by Pascal Blanchet (Trois-Rivières), Marguerite’s Christmas is one of the most beautiful books in recent memory, and it also deeply sad, because in Marguerite’s solitude we as readers want to reach out to her, even though her reality – being alone at Christmas – is not particularly unusual. The elderly are not always surrounded by family during the holidays like we see on TV, and some people, perhaps many people, are lonely at Christmas.

Marguerite's Christmas tv room

It’s difficult to know if I am ascribing feelings to Marguerite that she herself does not possess. She claims to be happy cocooning in her home, enjoying comforting rituals like watching her favourite holiday movies and not bothering with the tiresome fuss of Christmas. Many of her friends and family have died, and she is no longer interested in making new memories, just revisiting old. She repeatedly reassures her family that she is OK.

And yet, she is frequently startled by routine noises and fears going outside as if suffering from mild agoraphobia. She could probably use some company, but rejects it. Clearly, Marguerite is nearing the end, and at one point even imagines the grim reaper at her door. The scenes that follow give me pause. Is the episode with the car actually happening, or is it part of her ‘passage’ to the other side?

Marguerite's Christmas outside dark

Unlike some adults (or this adult), children will take Marguerite at face-value. The story will not make them uneasy. Instead they will be engaged by Marguerite’s predicament, by her haplessness and vivid imagination (stunningly expressed by the illustrator). Marguerite is a real character. She is endearingly quirky and fastidious. In the most transcendent moment of the book, her kind heart triumphs over her natural reticence when, in spite of her apprehension about venturing outdoors, she helps a stranded family in a broken-down car. It has been a very long time since she has been outside, and the stillness and chill of the winter night releases her fear.

Marguerite's Christmas looking outIt’s a brave and respectful move by India Desjardins to tell this unvarnished story of an elderly person’s winding-down life, and pitch it at children. For everyone, life is a journey, and each moment has its inherent pleasures and torments. And even when you least expect it, a moment of wonder.

The illustrations by Québec illustrator Pascal Blanchet elevate Marguerite’s Christmas into classic holiday fare, pulling out and intensifying the humour and poignancy of Desjardins words. The art is simply stunning, full of quiet, snow-dolloped streets and retro-heavy vignettes that draw from Marguerite’s life, past and present. The exaggerated angles, stylized imagery and flat colours are very much in the manner of Eyvind Earle, one of Disney’s finest background artists. Several years ago, I bought a book of his Christmas card illustrations (800 in total). Blanchet’s winterscapes seem plucked from that magnificent collection of cards Earle created over 60 years ago.

Marguerite's Christmas landscape

Marguerite's Christmas landscape CAR

Marguerite’s Christmas is perfection from the storytelling and illustration to the candy cane end-papers and placement of the type. It’s one of those books where everything works in exquisite balance, each element enhancing the expression of the other. Yes, it is at times an uneasy, layered read, but it is also deeply touching. I’ll not soon forget Marguerite. I feel like I’ve known her my whole life.

Marguerite’s Christmas by India Desjardins, illustrations by Pascal Blanchet. English edition, published by Enchanted Lion Books, 2015.

The original French edition of Marguerite’s Christmas, Le Noël de Marguerite (Les Éditions de la Pastèque, 2014) was shortlisted for the 2014 Governor General Literary Award in Canada for both text and illustration.

For more CHRISTMAS PICTURE BOOK REVIEWS, click HERE. Within that post, is a link to an even longer list of Christmas books!

Marguerite's Christmas fellow walking

  • Posted on April 16, 2015

Hurry, Hurry, Mary Dear

Years ago, I used to work in an independent bookstore. Of the many customers who came my way, most have faded into the past. Sandy Muldrew is one of the memorable few. Not only have we remained friends, he shared, and continues to share, my passion for beautifully illustrated picture books. Although our (superb) tastes frequently overlap, our collections diverge, and so I thought – why not spread the passion around and invite him to write about one of his favourites? I am pleased to say, it worked! And so, I will turn this blog over to Sandy for the first, (and hopefully not the last), guest post:

When Donna asked me to write a guest blog for 32 Pages, I wasn’t sure if I had a worthy book that she had not yet touched upon. Recently, I have been relying solely on her excellent recommendations to add to my collection of illustrated treasures (and subtract from my bank account). But then I remembered a perfect candidate – it’s one of my seasonal favourites – Hurry, Hurry, Mary Dear. While not exactly a children’s book, it is more of a charming poem illustrated with mirthful joy, written and illustrated by N.M. Bodecker in 1975 and then re-illustrated as a tribute by Erik Blegvad in 1997. They were two Danish expats and lifelong friends who shared an art studio in Connecticut. And this is where the poem itself takes place – on a farmhouse in New England – which is appropriate because the heroine of the piece embodies the pioneering spirit of Plymouth Rock. In fact, despite being thin as a rail, she is able to accomplish more in one day than the rest of us could hope to achieve in one year.

Hurry Hurry Mary Dear dill the pickles

The poem begins innocently enough with Mary’s layabout husband issuing the first of his many edicts: “Hurry, hurry, Mary dear, fall is over, winter’s here,” he yawns from the comfort of his warm bed. “Not a moment to be lost, in a minute we get frost! In an hour we get snow! Drifts like houses! Ten below!” At this, from dawn’s early light to dusk and night, we witness Mary’s super-human endurance as she completes one impossible task after another. All the while, she shows the patience of a saint as she is put through the paces by the constant commandments issued by her unseen spouse (supposedly from somewhere deep within the warm house – far, far away from draughts). “Pick the apples, dill the pickles, chop down trees for wooden nickels. Dig the turnips, split the peas, cook molasses, curdle cheese.” As the harvesting becomes increasingly ridiculous (cook molasses??), it is all offset by the wonderfully humourous illustrations of the scrawny Mary with her sharp nose, tiny feet, and ever-present apron and black stockings. She wields her axes and shovels like Hercules taking on the Hydra and Cerberus.

Hurry Hurry Mary Dear chop3

“Churn the butter, smoke the hams, can tomatoes, put up jams. Stack the stove wood, string the beans, up the storms and down the screens.”

Hurry Hurry Mary Dear molasses

Through all of this – as the wind picks up, the leaves fall, the trees bend, and snowflakes appear – our poor Mary, flushed and frazzled, seems to age twenty years. Her nose reddens, her hair becomes disheveled, and her back bends like an exhausted hunchback. As day turns to night, the impending snowstorm descends upon the house with it’s full fury. Mary finally retreats indoors but her day is far from done.

“Pull the curtains, close the shutters. Dreadfully the wild wind mutters. Oil the snowshoes, stoke the fires. Soon the roads are hopeless mires. Mend the mittens, knit the sweaters, bring my glasses, mail my letters.”

Hurry Hurry Mary Dear kitchen

Dutifully she scurries about and obeys the offscreen patriarch who we finally see again – stuffed into his rocker with slippered feet, pillow and pipe. “Toast the muffins, hot and sweet and good for me. Bake me doughnuts, plain and frosted…What, my dear? You feel exhausted? Yes, these winters are severe! Hurry, hurry…” With that, like the tea, she finally reaches her boiling point and dumps it all over his head “…Mary dear.” Perfect!

I love this poem not only for it’s humour but also for it’s comforting notion of winter hibernation. Thankfully none of us have to go through the Herculean efforts of Mary, but, still, there is always autumnal work to be done to ready one’s house for the season’s first snowfall. Is there anything more comforting than getting all the leaves raked, the hoses put away, the garden dug, and the windows washed before the first flakes fly? As the furnace kicks in and you get that whiff of singed dust from it’s summer disuse, you can’t help but feel snug and smug. Sporting slippers and sweater, you survey your realm with satisfaction (from the warmth of your indoor sanctuary). You brew a pot of tea, nibble on some biscuits, settle into your corner wingback, and open up a good book. And, all the while, the wild wind mutters. There is a primitive pleasure in this. It Hurry Hurry Mary Dear wind muttershearkens back to the first time we crawled into a cave to escape the elements. Despite the absence of biscuits (not yet invented), we, nevertheless, overcame the cold and the wet by lighting a fire, huddling together, and telling stories. Then, as now, we are still lulled to sleep as the muffled storm rages outside. While, today, it is much easier to keep warm and dry, the sense of satisfaction persists. We still take great comfort in retreating indoors and shutting the door on the cold – and that is wonderfully conveyed in a poem like Hurry, Hurry, Mary Dear. Every fall, I reread it to experience, once again, that feeling of gezelligheid. I hope you will seek out this book and when the snows arrive next November (or possibly October…), you too, will be entertained and warmed by it.
(P.S. Watch for Mary’s constant companion – the ever-present black cat. It appears in every scene – sometimes in the foreground, often in the background, and once in shadow only.)

Review by Sandy Muldrew

Hurry, Hurry Mary Dear written by N.M. Bodecker, illustrations by Erik Blegvad. This edition published by Margaret K. McElderry, 1998

  • Posted on February 26, 2014

I Am Not Little Red Riding Hood

Well, OK then. The fact that the child is not wearing a red hood already differentiates one story from the other. And there’s the bear. Not a wolf, mind you, but a big, white bear. As the rosy-cheeked girl in Alessandra Lecis and Linda Wolfsgruber’s new book I Am Not Little Red Riding Hood is so keen to remind us, her story has nothing to do with the Grimm (or Perrault, depending on the translation) fairy tale. Yes, she has a red scarf, and she takes a basket into the woods, but that is the end of it. This is her story.

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  • Posted on November 30, 2013

On a Snowy Night

I walk in the river valley and ravines of my city. It is my daily exercise, but more than that, it is my meditation. In the solitude and loveliness of nature, my cup runneth over. I’ve seen many miraculous things, but none that touched my heart more than an unlikely creature spotted one morning, nuzzling yellowed grass in the dead landscape of November. A small brown rabbit had taken up residence on a hill near the city’s centre. Large, sturdy-footed hares are ubiquitous in Edmonton, but this fellow was clearly domestic. Lost or abandoned, he had found a home beneath a set of stairs in full view of trail walkers like myself and the ever vigilant predatory wildlife who make their home in the river valley. I observed Brown Rabbit (pictured on the right) on numerous occasions, but after the first snow, I was surprised to find him Brown Rabbit by Donna McKinnonin his usual spot, nibbling a branch. After that, I began filling my pockets with vegetables and making strategic drops near the staircase. On good days, he would come out and feast on the bounty. Some days, usually cold days, he was nowhere to be found. I worried about Brown Rabbit, and I was not alone. Remnants of other ‘care packages’ were visible in the area, but calls to various wildlife rescue organizations proved fruitless. On the remote chance that he could be lured into a cage, no one was really interested in another abandoned domestic rabbit. “Best not to move him.” I was told.

On a blue-sky December afternoon near Christmas, I sat on the steps in the park and watched Brown Rabbit emerge from beneath the stairs, nearer to me than he’d ever previously dared. Perched on the steps just above the rabbit, the sun fiercely bright and cold on my face, I listened as he nibbled on vegetable tops and straws of timothy hay. In that moment it felt like I’d entered a state of grace with this little life. On some level, Brown Rabbit understood that I meant no harm. An animal’s trust is a gift. Once earned, it must be safeguarded.

On a Snowy Night abandonedOn a Snowy Night by Jean Little, with illustrations by Brian Deines, is the story of a broken trust. It is also a story of compassion, and unexpected friendships. When a young boy named Brandon is given a rabbit for his fifth birthday, he names her Rosa and proclaims her ‘perfect.’ For awhile, the boy is attentive, but as is often the case with children and pets, interest wanes, and Brandon begins to neglect Rosa, even forgetting to feed her. Excited by the freshly fallen snow on Christmas Eve, Brandon brings Rosa outside and inadvertently leaves her there when he runs inside to answer a call. Rosa tries to find her way back, but gets lost. The chickadees warm Rosa with their down feathers and a squirrel finds Brandon’s lost mitten (apparently this kid is easily distracted), and gently nudges the still shivering rabbit onto its woolen surface. A raccoon pops the nose off a snowman and offers Rosa the carrot. “I thought wild animals ate each other?” says Rosa. “Not on this night,” replies a hawk, who leads the rabbit back to her home, where an anxious Brandon is reunited with his lost bunny. Interestingly, Jean Little ends the story ambiguously. While Rosa is happy to be back home, she is a realist (if rabbits can be realists.) On a snowy night, on Christmas Eve, kindness and friendship may be found in unlikely places.

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  • Posted on August 30, 2013

Once Upon a Northern Night

On rare occasions, a picture book comes my way that is so evocative, it feels like a lost memory from childhood, revealing itself page after page. Once Upon a Northern Night is a such a book. Oddly out of time, and yet timeless, Once Upon a Northern Night is a breathsucker, a gust of cold winter air awakening the senses. After several readings, I am still amazed that this glorious book has been in existence for a mere few months, not fifty years. The gentle poetry of Jean Pendziwol has the lilt and reverence of an old bedtime story, the kind without irony or guile. Like Pendziwol’s words, Isabelle Arsenault’s luminous illustrations belong to a bygone era of limited palettes and charmingly stylized imagery. If books have souls, then Once Upon a Northern Night is an old soul.

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  • Posted on December 06, 2012

Christmas Books 2012

The snow is piled along the driveway, my breath freezes into cartoon bubbles when I exhale, and I’ve heard Santa Baby-that excruciatingly awful song, about a thousand times on the radio. Must be Christmas, and time for an updated list of festively-oriented books for 2012. Building on an original list compiled in 2010, I am pleased to add a couple of new publications to the scroll of Xmas excellence, and a few from years past. As I said in 2010, anyone who collects illustrated picture books knows that Christmas is when artists come out to play~when the pencils are the pointiest, the colours the juiciest, and storytelling the most luminescent. Perhaps it’s the sparkling snow, or the spirited beverages. Maybe it’s the fruitcake. Whatever the reason, beautiful books abound.

Such as…

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  • Posted on February 08, 2010

The Hibernators’ Dilemma

In my years as both a bookseller and as a reader, I have discovered a most interesting and delightful phenomenon – books find us. The book you are meant to find will call to you, like dark chocolate peanut M&M’s and HGTV.

I no longer work in a bookstore and thus have fewer opportunities to flip through publisher catalogues and fondle freshly unpacked new releases in the shipping department, but the books I am supposed to find will still find me, or so I tell myself.

As for the books that are recommended by well-meaning friends and reviewers, well…I try to be nice. It’s that subjective thing. One person’s beautifully illustrated book is another person’s piece of sentimental schlock. I am the first to admit I am a tough customer.

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