It’s often quite difficult to find excellent seasonal picture books simply because the window of opportunity for sales is short and publishers tend to blast the shelves with quantity rather than quality. Also, few children’s writers and illustrators feel their creative juices flow when the subject matter is snake rustlers from Ireland and scenes of crucifixion (sorry Mel.) Of course, there are exceptions: Christmas, for example, inspires many beautiful picture books each year, and the better ones tend to sell throughout the year. When I was a bookseller, I always kept a row of Christmas books in stock, especially perennial bestsellers like The Polar Express and…um…mostly The Polar Express. Easter, on the other hand, can be a challenge. Christ or Bunnies? Personally, I’m not drawn to children’s books about public executions, Jesus or otherwise, and religious books in general leave me cold, but there is a place for this type of book at Easter. It’s not all about chocolate, apparently.

When Dogs Collide
“Life can be painless, provided that there is sufficient peacefulness for a dozen or so rituals to be repeated simply endlessly.” ~Kurt Vonnegut (Slapstick, 1976)
A very fine philosophy indeed, one shared by this blogger and a very particular mutt named Mister Bud, the star of the new Carter Goodrich book, Say Hello to Zorro! Wrapped in a warm blanket of habit and contentment, Mister Bud is blissfully unaware that his life is about to be turned upside down by the arrival of…well, I’ll save that for later.
As the youngest child in a large family, I have not personally experienced the trauma of being usurped from an established position within the family hierarchy, but I’ve certainly heard all about it from my older siblings. Or should I say, my next oldest sibling. Apparently, I was referred to as ‘it’ before my parents (eventually) intervened. I get it. Change sucks, and who wants to share the spotlight? Enter Mister Bud, a dog who has it figured out. Everything in the house, including the house, belongs to him, and governing all is the schedule, rigorously adhered to, comprising frequent meals, walks, ‘greet and make a fuss time’, cuddling, movies, backyard time, and of course, naps. Things are pretty good for this pampered pooch, until the day Zorro arrives; a tiny pug with a big personality, a pronounced underbite, and just a tinge of bossiness. Life in Budville will never be the same. Read More

Under African Skies
Funny. I live in one of the most northern cities in the world. As I write this, the landscape is bleached of colour, the snow is piled higher than in recent memory, and in spite of the arrival of spring a few days ago, the temperature refuses to inch above zero.
And yet, one of the finest African picture books, from one of the finest African storytellers originates from this winter city. Flipping through the pages of The Orphan Boy, a book that has been in my possession for almost twenty years, I am once again beguiled by the poetry of Tololwa Mollel’s words as he recounts the Maasai legend of the planet Venus. It is enough to warm my blood, but in unison with Paul Morin’s wondrous paintings of Africa, I feel spirited out of my down-filled parka to the arid farmlands of Tanzania, gazing up at the star-filled night in the company of an old man who is destined to meet a very unusual boy.
In The Company of Wolves
If I wasn’t already in love with this series of picture books by Nadine Brun-Cosme and Olivier Tallec, I would have picked up Big Wolf & Little Wolf, Such a Beautiful Orange, the third and final book in the trilogy, for the title. Or the promise of the title. What could be more tantalizing than a perfect piece of fruit? If not for the title, I would have added the book to my collection based solely on the cover. That wolf is killer, and I don’t mean this in a predatory sort of way. The long and amply-snouted Big Wolf is a wonderfully inspired creature, unlike anything else in contemporary picture book illustration. All of this is, of course, immaterial; there is no reason to single out one attribute from another. Big Wolf & Little Wolf, Such a Beautiful Orange is perfection from beginning to end, and I am so very glad to have been in the company of wolves, these wolves, over three extraordinary books.
But just how beautiful is this orange? Plenty beautiful, as you’ll see…
My Plant, My Pet
I have a fern that is about 15 years old. Maybe 20. It’s not particularly attractive, at least in comparison to my other plants, and because it is rarely moved, the plant is lopsided; lush on one side (the public side) and bald on the other. I’ve named it Sideshow Bob because it sprouts dreads like Krusty’s infamous sidekick on the Simpson’s, but unlike the cartoon character, my Sideshow Bob possesses few, if any, homicidal inclinations. I should have turfed this plant a long time ago, but I have grown rather fond of ol’ Bob. My point? Anything can engender love — including plants, and books about plants.
From the moment I first laid eyes on the dirt-trailing, long-snouted stump of green foliage walking across the cover of Plantpet, I was in love. Like Bertie, the solitary, never-out-of-his-slippers human with the Don King hair in Elise Primavera’s story of unexpected friendship, I could not resist the charm of this tiny sprout, abandoned in a cage amongst Bertie’s junk. But is it a plant, or a pet? And is there a name (or treatment) for this type of love?
Good Snark Hunting
I’ve hesitated to write about The Hunting of the Snark because I don’t understand it, and I am not alone in my befuddlement. There are entire societies devoted to the deciphering of literary puns and allusions in this complex masterwork by the writer of the equally complex but perhaps more accessible Alice in Wonderland. However, an incomplete grasp of the text is not an impediment to the enjoyment of this bit of nonsense. Even a small child can take pleasure in the sheer inventiveness of the wordplay, the first circle of Carrollian delight. Entry to the other circles of understanding is optional, and by optional I mean, I could go back to university and get an advanced degree in 19th century history, literary symbolism, and English banking practices, but I’m busy. And some very good and clever people have already gone to extraordinary lengths to unfuddle the Snark, giving the rest of us a free pass to the poetry behind the poem.
Never let it be said that I’m not up for the occasional literary challenge, especially where snark (of the more pedestrian variety) is concerned, displayed, or encouraged, but the real reason I picked up The Hunting of the Snark is for the gorgeous illustrations by Mahendra Singh~artist and Snark Hunter of the highest order. But beware: drawing attention to the loveliness of Singh’s illustrations is in no way to suggest they are lacking in a complexity equal to Carroll’s text. On the contrary, there is an agony of literary and artistic referencing in every illustration housed within the eight ‘fits’ of The Hunting of the Snark.
But, for now, just enjoy the ride. It’s a long, strange, and wonderfully rewarding trip

Hug it Out, Earth
In spite of the title and the giant heart on the cover, Hug Time is not a conventional Valentine’s Day book, unless your object of affection is a blue whale, or a baobab tree. However, considering my other VD recommendations (at the end of this post) involve fruit and frogs, Hug Time is entirely within the scope of the 32 Pages Valentine’s oeuvre.
Hug Time is actually an environmental book, starring Patrick McDonnell’s favourite little environmentalist, animal advocate, and resident tiger lover, Jules, also known as Shtinky Puddin’ in the comic strip Mutts, from which this character originates. Jules decides that our ailing world is in need of hug, and sets out to remedy the situation. I can think of a few more things the world needs (more cowbell, for instance), but a hug is always a good place to start. Ever resourceful, Jules packs only what is necessary for such a journey, his favourite green sweater and a hug to-do list. If only my cat traveled so lightly.
The Sensual World
Every so often I read a book that makes me suck wind, as my former colleague in the bookstore used to say.
Suck wind~v. 1. to draw breath through one’s mouth. 2. To elicit a gasp. 3. To be surprised, as in the sudden appearance of Jesus Christ at Buffet World (extremely unlikely, and entirely inappropriate in this context.) 4. To experience a euphoric reaction to a beautiful thing.
Big Wolf & Little Wolf: The Little Leaf that Wouldn’t Fall is such a book. As I turned the pages of BWLW for the first time, I was struck by the exquisite charm and quirkiness of the illustrations by Olivier Tallec. And the writing…well, I wasn’t expecting it to be so poetic, and the ending so lovely. It is a vent sucer à deux, a double wind-sucker. When I finished it, I wanted to share it with someone, anyone, immediately, after I caught my breath of course. My cat, however, was uninterested.
Sometimes I feel like a preacher, fired up by the Good Word (or the Good Illustration), my arms raised in a beatificating pose, testifying to the masses, and one mightily bored feline. Big Wolf & Little Wolf: The Little Leaf that Wouldn’t Fall is a great book. A perfect book. And your souls will be damned if you don’t pick it up.
Amen.

A Happy Anniversary
“I am writing this blog for people who collect and admire children’s picture books, not because they are the necessary accoutrements of successful child-rearing (which they are), but because we know, the most beautiful, virtuoso art being produced these days is for the picture book.” February 4th, 2010
It’s now been one full year since I posted my first review on this blog. Hard to believe, really. I still have very vivid memories of my friend trying to convince me that this would be a good idea. At the time, it did not make sense to me, especially in light of the fact that my own illustration ‘career’ was languishing, and I had other writing projects that needed my attention. Also, having been away from the ‘book biz’ for about five years, I wasn’t sure I had anything relevant to say.
Now, a year later, I feel as if this blog has been a huge gift. The books on my shelves, loved but dormant, have new lives on this blog, and I have returned to my role as an advocate, a role that I’ve missed and one that has always felt like a privilege. Twinned with the Illustrated Word, my Twitter feed, this passion for beautiful picture books has been fully reawakened (and my bank account drained). I still need to work on my own books, but you know, there’s always retirement.
Without this forum, I’m not sure I would have encountered great artists like Poly Bernatene, Janice Nadeau, Peter Brown, Catherine Rayner, Mariji & Ronald Tolman, Emily Gravett, Isol, Jon Muth, Komako Sakai, Sebastian Meschenmoser, and Beatrice Rodriguez (and her lovely chicken), or indeed, all the new and not-so-new publications from long-time favourites. I strongly believe that books find us, not the other way around, and this blog has been a conduit for all the books trying to find me. In that respect, it’s been a selfish journey, but I hope that amidst all this ‘self-pleasuring’, I’ve been able to help these wonderful books find other forever homes. I’ve certainly been introduced to an online community of folks just like me who love great illustration. This has been one of the unexpected and most enjoyable aspects of jumping head first into the blogosphere.
Thanks to all the readers, fellow bloggers, and especially to all the writers and illustrators of all the amazing and inspiring children’s picture books that have crossed my path, or will cross my path. I couldn’t be more grateful, or humbled. Or jealous. And to Kevin, my friend, who is the sole reason that this blog exists at all, I thank you from the bottom of my heart for this gift.
Donna
Moonless Sonata
Buy it, or borrow it. That’s my recommendation, and the sum of my review.
When Night Didn’t Come is beautiful, astonishingly and almost indescribably beautiful, and it belongs in the library of anyone who appreciates, collects, and occasionally slobbers over illustrated children’s books of the most exquisite quality. No, you can’t have my copy.
Poly Bernatene’s recent publication is a wordless picture book, and I’m not entirely sure I would have been able to follow the narrative without the description on the back, and of course, the title. It begins at sunset with a yawning sun. The sky darkens, but the glow remains. Where is the moon? Where is the night? And why is the sky full of dirigibles?