Great illustration does not have a nationality. It can be found anywhere, and this blog is an appreciation of, and a testimony to, the pervasiveness of excellence. Illustrative genius may not be deep, but it is wide. Arguably, countries have a visual ‘flavour’, a stylistic predilection that shows up on the pages of picture books, but this can be difficult to identify without a thorough knowledge of its artists and writers, and anyway, who cares? Great art is great art. Nevertheless, as a Canadian, my heart thumps a little faster when I write about a homegrown picture book, and I have only scratched the surface of my country’s artistic depth.
Perpetually engaged in defining itself, Canada is a country rich in cultural influences. Personally, I’m OK with a definition that includes William Shatner and Tim Horton’s and excludes any comparison whatsoever tothatplacesouthofthe49thparallel, but others strive for something a little more, oh, I don’t know, comprehensive. What I do know is that a good place to start is with the artists, and apropos to this blog, the illustrators.
To that end, and in celebration of CANADA DAY on July 1, otherwise known as our 146th birthday, I would like to commend and thank Mulidzas Curtis Wilson for the beautiful Haida-inspired Canadian flag which adorns this post, and, in no particular order, send out this love letter to the Canadian authors and illustrators reviewed in 32 Pages.
Standing high above all is THE BOOK: Picturing Canada: A History of Canadian Children’s Illustrated Books and Publishing , or everything you’ve always wanted to know about picture books in Canada, but we’re too reserved/passive/insecure to ask, eh? It’s very, very good. You can tell by the moose and the beaver on the cover.